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Harold Evans  (1928)    

Harold Evans is British-born journalist and writer who was editor of The Sunday Times from 1967 to 1981. He has written various books on history and journalism. Since 2001, he has served as Editor-at-Large of The Week Magazine and since 2005, he has been a contributor to The Guardian and BBC Radio 4.
Evans was born in Manchester. His career began as a reporter for a weekly newspaper in Ashton-Under-Lyne, near Oldham at the age of 16. After service in the Royal Air Force, he entered Durham University where he graduated with honours in politics and economics and subsequently earned a Master of Arts degree for a thesis on foreign policy. He became an Assistant Editor of the Manchester Evening News and won a Harkness Fellowship in 1956-57 for travel and study in the United States. He began to make a reputation on return from the U.S. when he was appointed Editor of the regional daily The Northern Echo, where one of his campaigns resulted in a national programme for the detection of cervical cancer.
During his fourteen-year tenure as Editor of the Sunday Times, Evans was responsible for that newspaper's crusading style of investigative reporting which brought to public attention many stories and scandals which were officially denied or ignored.
When Rupert Murdoch acquired the company in 1981, Evans was appointed Editor of The Times. However, he remained with the paper only a year, resigning over policy differences relating to editorial independence. Evans wrote an account in a book entitled Good Times, Bad Times (1984). On leaving The Times, Evans became director of Goldcrest Films and Television.
In 1984, Evans moved to the United States, where he taught at Duke University. He was subsequently appointed Editor-in-Chief of The Atlantic Monthly Press and later became editorial director of US News and World Report In 1986 he was the founding editor of Conde Nast Traveler, dedicated to "truth in travel."
Evans was appointed president and publisher of Random House trade group from 1990 to 1997 and editorial director and vice chairman of US News and World Report, the New York Daily News, and The Atlantic Monthly from 1997 to January 2000, when he resigned to concentrate on writing.
Evans most famous work The American Century won critical acclaim when it was published in 1998. They Made America, the sequel published in 2004, described the lives of some of the country's most important inventors and innovators. Fortune magazine identified it as one of the best books in its 75 years of publication. It was adapted as a four-part television miniseries that same year and as an NPR radio special in 2005.


(Source: Wikipedia)


a cámara non mente. mais pode ser un accesorio de falsidade
a fényképezőgép nem tud hazudni, de tartozéka lehet a hazugságnak
a màchina fotogràfica a no peu contâ de stoppe, ma a peu aggiuttâ à contâle
a maquina de fer afotos no miente, pero puede ser un azesorio para a falsedá
a máquina fotográfica não pode mentir, mas pode ser um acessório da falsidade
a máquina fotográfica não pode mentir, mas pode ser um acessório da falsidade
aì machina fotografica non cunta minchiati, ma po\' jéssiri n\' aiutu a na munzignarìa
al luc\'hskeudennerez ne c\'hall ket kontañ gevier, met sevel a-du gant ur gaou a c\'hall ober
aparat fotograficzny nie kłamie, lecz może być narzędziem kreowania fałszu
aparati fotografik nuk gënjen, por mund të jetë një aksesor i gënjeshtrës
aparatul fotografic nu poată să mintă, dar poate să fie un complice la minciună
de camera liegt niet, maar kan een gereedschap van onwaarheid zijn
die kamera kan nie lieg nie, maar wel medepligtig wees aan ’n onwaarheid
die Kamera kann nicht lügen, aber sie kann ein Hilfsmittel zur Unwahrheit sein
e kámara no ta gaña, pero e por ta un asesorio pa falsedat
Ea machina fotografica no poe mentire ma poe essere un acessorio dea buxia
fotilo ne povas mensogi, sed ĝi povas esti ilo de mensogo
fotoaparaat ei valeta, küll aga võib olla vale juurde kuuluv aksessuaar
fotoaparát neklame, ale môže byť komplicom klamstva
fotoaparát nelže, ale může být spoluviníkem na nepravdě
fotoğraf makinası yalan söyleyemez, ama yalan söylenmesine yardımcı olabilir
i macchina fotografica è ssozzi pì azzematarìe, ma sozzi avisìsi na pì azzematarìe
kamera ei valehtele mutta se voi olla valheen väline
kamera ne može lagati, ali može sudjelovati u neistini
kamera nespēj melot, bet tā var kļūt par instrumentu melošanai
kameraet kan ikke lyve, men det kan være medvirkende til usandhed
kamerak ez du gezurrik erakusten, baina, iruzur egiteko tresna izan daiteke
la cámara no miente, pero puede ser un accesorio para la falsedad
la kamera no puede mientir, ama puede ser un alat de mentira
la macchina fotografica non può mentire, ma può essere un accessorio della menzogna
la macchina fotografica nun dice bucìe, ma po´ aiuta´ a dille
la machian fotografica la conta mja zò boze, ma la pol aidà a fane zo
la mâchina fotogrâfica la n pôl brîSa dîr däl bâl, mo la pôl èser un uSvai da bâl
la machina fotografica l’an dis mia bosìe, ma la pœl esar dropada par diran
la machina fotografica no conta bale, ma la pol iutar a contarle
la machina fotorafica nun pò mentì,ma pò essi \'n\'accessoriu dilla menzogna
la machine fotografiche no po\' mintî, ma al po\' jessi une maniere di dî bausîs
la màquina de fer fotos no pot enganyar, però pot ser un accessori de la mentida
La máquina fotográfica nun ye a mentire, peru puede ser un acesoriu de la mentira
La matsena à fotografiyî pâo pas dzanlyî, mâ pâo ître onn\'ése po trompâ
l\'appareil photo ne peut pas mentir mais il peut être un accessoire du mensonge
machina imaginum non mentitur, sed instrumentum falsitatis esse potest
ni all y camera ddweud celwydd, ond gall gefnogi anwiredd
ra machena fotugrafica nun dice bugìe, \'mperò aìta a dille
sa macchina fotografica no podede essere faulalza ma podede essere una cosa chi l\'azzuada
the camera cannot lie, but it can be an accessory to untruth - Harold Evans
\'a machina fotografeca nun pò mentì, ma pò servì pe na buscìa
\'na mâchina fotogràfica l\'àn pôl mènga dîr dàl bâl mà la pôl êser un p\'cunzèin èd\'na busìa
ła màchina fotogràfica no ła dixe mìa buxìe, ma ła pol jutar el falso
η κάμερα δεν ψεύδεται, αλλά μπορεί να γίνει συνεργός στην συγκάλυψη της αλήθειας
камера не може лагати, али може бити саучесник у неистини
המצלמה אינה משקרת, אולם היא יכולה לשמש כמכשיר עזר לזיוף
الكاميرا لا يمكن أن تكذب، ولكن يمكن أن تكون وسيلة للكذب
دوربین دروغ نمی گوید , ولی می تواند وسیله ای برای نادرست بودن باشد
相機不會說謊,但它可以是謊言的幫兇。
카메라는 거짓말을 하지 않는다, 그러나 허위/거짓에 부속물이 될수 있다.